When looking at RGB (and maybe CMY too), we often see that one colour is dominant (with a greater value), one is supporting and the remaining colour is way behind. It is by controlling this third, recessive colour that we can make subtle yet significant improvements in photographs. A good adjustment control for this Selective Colour, though you can also use other ways to do this.
The Subtle Power of Recessive Colours (using Selective Colour in Affinity Photo)
When looking at RGB (and maybe CMY too), we often see that one colour is dominant (with a greater value), one is supporting and the remaining colour is way behind. It is by controlling this third, recessive colour that we can make subtle yet significant improvements in photographs. A good adjustment control for this Selective Colour, though you can also use other ways to do this.
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